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"GURUR
BRAHMA, GURUR VISHNU
GURUR DEVA, MAHESHWARA
GURU SAKSHAT, PARABRAMHA
TASMAY SRI GUROVE NAMO"
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GURU means darkness to light
(Gu-dark, Ru-light). A teacher or spiritual
mentor who leads from darkness to light,
from ignorance to wisdom.
Guru-Shishya parampara or the Guru-student
relationship, in dance, just like in other
Indian classical music, the Guru guides
the disciple (Shishya) in following the
path to attain liberation ie fulfillment
of learning the art of dance. To the Shishya,
the Guru symbolizes the art itself, while
for the Guru, the Shishya signifies the
continuity of the art. The Guru shares
the sacred knowledge of the art only with
the pupils who are devoted and sincere
in their quest for learning. |
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Padma Vibhushan Guru Kelucharan Mohapatra |
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Padma
Vibhushan Guru Kelucharan Mohapatra is
the primary architect in the revival of
classical Odissi dance over the past half-century.
One of the last Gotipuas, he was instrumental
in moving this dance form from the temple
to the auditorium, while retaining its
essence of worship of the Lord through
dance.
For the past 75 years, he has been the undisputed master performing artist, choreographer, teacher and percussionist of Odissi dance. He has received every possible award, has trained most of the leading exponents of the form and is the revered and respected for his genius as an artist all over the world. Before his demise in 2004, Mitali was one of the last international dancers to receive training from him.
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Smt. Sujata Mahapatra
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Sujata
Mohapatra is a versatile and
accomplished artiste with a striking
sculpturesque quality of dance. As a
daughter-in law and disciple of Guru
Kelucharan Mohapatra she has been
dancing since early childhood and
excelled in Odissi for the last 18
years. Her dance is particularly noted
for its strict adherence to her guru's
style a hallmark of which is its grace
depth of expression and technical
perfection. Sujata has a compelling
stage presence with a rare combination
of intensity and spontaneity. Wonderful
control and excellent precision to her
form. Guru Kelucharan stylised her to
carry the name of Art and Beauty of
Odissi the way he had done.
Amongst
the present generation she has
established herself as a dancer and
teacher of repute, having imbibed the
techniques and subtle proportions of the
Odissi form. She has performed
extensively in all of the major cities
of India. She has also performed in
several countries abroad as a part of
Srjan (Odissi Nrityabasa) repertoire
group and a soloist. She is also a
recipient of many awards at
International and National level.Her
work has been acknowledged with the
prestigious Pandit Jasraj Award, Smt.
Sanjukta Panigrahi Award and Mahari
Award, 2004, Bhimeswar Pratibha Samman,
2004.
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Madhavi Mudgal
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Madhavi Mudgal was immersed in music and dance from a very young age coming from a music family with father, the late Professor Vinay Chandra Maudgalya who was the founder of the famous Gandharva
Mahavidyalaya, New Delhi. With every opportunity to learn the arts, Madhavi trained in Bharata Natyam and Kathak under great gurus and performed these dance styles to acclaim.
Later she turned to Odissi which she adopted as her preferred medium. Her introduction to Odissi took place under Guru Hare Krishna Bahera who trained her in the fundamentals. Later she came under the tutelage of the
renowned Guru Kelucharan
Mahapatra. Madhavi's command over the nritta or purely ornamental aspect of Odissi is striking. Her delicate postures and strong rhythmic footwork combine in an appealing flow of sculpturesque movements. Her subtle abhinaya (the expressional aspect of dance), musical knowledge and aesthetic sense add to the highly distinctive character of her recitals. She has trained a number of accomplished students like Mitali Dev who are based in the UK and are performers in their own right.
For her contribution to the art, Madhavi Mudgal received the Sanskriti Award and the President of India's award, the Padmashri besides the Sangeet Natak Akademi Award for her contribution to the world of Indian Dance.
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Ramli Ibrahim |
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Ramli Ibrahim is well known as the dynamic force in Malaysian theatre possessing an open-mindedness for both the Old & New. Trained in classical ballet, modern dance and Indian classical dance, Ramli is a creator and a visionary in the Arts who sees unity within the diversity of all artistic
endeavours.
In Indian classical dance Ramli is acclaimed as the revered guru who has not only groomed some of the finest dancers to have emerged from Malaysia and placed Indian classical dance in the context of a Malaysian experience, but he is also one of the very few superb male dancers of the Bharata Natyam and
Odissi, as well as Modern Dance. But Ramli's raison d'etre is in the spirit of creation and a genuine need to express this creative energy transcending all polarising barriers.
Mitali's first Odissi training was from Ramli Ibrahim
at his Sutra Dance Company in Kuala Lumpur, where she had her rigorous training and shaped her passion for this wonderful dance form.
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